Memnoch the Devil (Vampire Chronicles #5) by Anne Rice

Memnoch the Devil - Anne Rice

Memnoch the Devil takes Lestat on an extremely long tour of the past, creation, angels, evolution, the passion of Christ and more – because he has a job proposition for the Brat Prince





Memnoch the Devil, also known as “the Bible according to Anne Rice” or “Anne Rice’s theological musings”. Perhaps even “Memnoch lectures you endlessly while Lestat practices his melodrama”.


What it isn’t, is much of a story or a plot. For a story or a plot to happen, well, things have to happen. Things do not happen. Oh there’s something tucked at the beginning. There’s something tucked at the end (a teeny tiny something). But that’s it


The rest of lecture. Info-dump. ONE LONG INFODUMP! One horrendously long, unbelievably unnecessary info-dump. An info-dump that I cannot even imagine having even the slightest relevance to the series. It really is just one long exposition on what the Bible could mean or a spin on it or on the nature of god. It’s a vast amount of world building that is utterly irrelevant to anything the vampires do in their daily lives


If Lestat weren’t being dragged around to occasionally declare himself impressed/awed/horrified it wouldn’t be relevant at all. The vampires are utterly superfluous to this story. All of the characters are utterly superfluous to this story. It may as well have been one long the logical lecture – inly told in the most long winded, dullest way possible.


I’d like to write more on this since it is the vast majority of the book, but there really is nothing more to say. It’s just a big splurge of theological theory pretending to be a novel. It’s completely irrelevant, not very interesting and probably better suited to analysis in a seminary than actually read as a novel in the ongoing vampire series.


But looking at the bits that actually involve the vampires rather than some of the dreariest and long winded exposition I have ever had the displeasure to ready, and it’s not much better or more sensible. Perhaps because these little add ons have just been forced to try and drag this info dump into her world


Lestat fell in love with his victim – I can buy that’s imply because within 10 seconds of meeting just about anyone, Lestat falls in love with them. It’s what he does, it allows even more pointless melodrama. So we get a really long and pointless backstory on this man and some books he read (which seem to be more part of the endless theological debate that basically comes down to “sex and pleasure and love are not bad things. Suffering is not valuable.” Seriously, that’s this entire damn theological diatribe that took an entire book to relate summed up in one sentence) which is never gain relevant. This goes on for countless pointless pages where we learn the pointless minutiae of someone who DOES NOT MATTER



Aaargh, this is something I’ve seen in Anne Rice’s novels time and again - especially n Queen of the Damned and The Witching Hour - every character briefly mentioned will get this endless examination of their lives. We do not need this much detail about every irrelevant side character


And there’s Dora, I’m going to leave aside the bizarre menstruation feeding, and just ask what is wrong with this woman?! Lestat comes to her having killed her dad and she starts calling him darling? Where did darling come from? What? Why?! And she goes from not caring about relics because they’re just physical objects and faith comes from within, to being completely enraptured and obsessive about... a relic. Her characterisation didn’t even begin to make sense


We do have the “everyone is bisexual” continuation – since even Lestat’s victims were. But it’s, again, not conveyed well. For a start the whole religious monologue that consumes this book puts the love for men and women as a dramatic holy amazing experience – and it’s always men and women. The divine heterosexual is really strong there.


And his new bisexual victim, Roger, slept with women and… boys? Why are we expressly saying “boys” there? And the only partner we learn any detail about is, of course, a woman – which is very reminiscent of the same problems in The Tale of the Body Thief




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