Bloodfever (Mackayla Lane #2) by Karen Marie Moning

Bloodfever (Fever #2) - Karen Marie Moning
Mac is still in Dublin, working with Barrons to find the Sinsar Dub and defeat the Lord Master, the man responsible for her sister’s death and the man who is bringing ever more Unseelie into the city. In her quest to find the book, she and Barrons look for other objects of power and she tries to decide who to trust and how to learn more about the strange world she has been thrust into.
I am assured that this series does get better, I’m assured the plot becomes more exciting, the world develops and, in particular, Mac, the protagonist becomes more sensible and mature and I will actually root for her rather than one of the Unseelie chomping on her bones, nom nom nom.
I’m assuming all of this happens in a later book – because it didn’t in this one. Where are those hungry Unseelie?
The first element I couldn’t pass over was the complete and utter lack of plot – nothing really happened in this book, there was no coherent storyline. Oh, there were events, random events poking their heads up from time to time, but they were just that, random encounters, with no real rhyme or reason, no real connection to each other and more than a few of them happened either because of sheer random chance or through Mac’s own monumentally foolish spunkiness often through simply poor writing or characterisation. And then none of these events actually go anywhere – they happen, they then fade back into some kind of background idea.
How does she run into the Sidhe-Seers? She randomly runs into one of them in the street who, despite the eternal watch word “don’t let them know you can see them”, lets slip that she can see them. She goes to meet them aaaaand… nothing happens. How does Mac end up with V’Lane? Because Barrons’s shop assistant tries to murder her over random, unexplained and unfounded extreme jealousy. And does that faerie jaunt actually have any real long term effects on, well, anything? Nope. There’s the Hallow she and Barrons spend a decent amount of the book looking for – does it make any relevant difference to the actual story? Nope. The odd guy in the history department she thinks are cute turn out to know about the fae – how does he? Because Mac randomly decides to show him her diary. Why? Who know?! Even the big ending felt awfully tacked on – a character who could easily have been dead in the last book pops up to reveal very little, do very little, achieve very little, but take up page space and result in the book ending with everyone in exactly the same place they were when this book started.
Look, I can see how this is all foreshadowing for future events and it’s setting various forces and players in motion – which is fine but there needs to be something else! Have the flesh of foreshadowng, but you need a backbone of a plot to keep the book going – otherwise it’s just a big mushy pile of events and foreshadowing with no structure.



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