Merit and Ethan are finally getting married. Everything is finally going her way
Until Sorcha returns, bringing winter to summertime Chicago, threatening the entire city and having one terrible demand: that the city and over Mallory and Merit
But no-one believes that her ambition is so simply satisfied with revenge
I am a little bemused about the mayor taking the lead so much. In fact, this has been a thing that has bemused me throughout this series: why is the mayor all powerful, how come they have so much authority and why is no-one else involved? I mean, if the third biggest city in America is evacuated because of a supernatural menace isn’t the president obliged to make a speech or something? Shouldn’t the governor of Illinois actually notice?
The story gets more and more epic but at the same time it’s clear the author wants this to be very very local. This is the Chicagoland vampires, it’s a story about Chicago so even when we probably should spill a little beyond the borders.
I think this probably centres on a general underlying issue I’ve had with this series from the beginning. It has an element of simplicity that kind of hangs on the story. Like keeping the story focused only on the Chicago authorities, making the mayor pretty much a complete authority within her realm and having her and her minions make decisions which are pretty dubious. It serves very much to make our main characters look intelligent, insightful and martyred but it’s a little clumsy (we see something similar ion how this series is pretty disjointed in how vampires are treated, flirting between viciously hated and violently oppressed minority to moderately tolerated/ignored other and back again within a pretty short space of time).
This bleeds over into the plot as well – it’s quite predictable with a lot of conflict resolved quite easily. Ethan makes a speech. Mallory manages to translated a centuries old mystery in a couple of hours. It adds to the story being a trifle… predictable? The arc is not one that surprised me even once and there was nothing resembling a twist
But… it’s still very fun. It’s one of those books that asks me to question whether twists, originality or a great deal of complexity is necessary. The story was predictable and simplistic – but still emotionally engaging: invoking anger at the terrible way the vampires are being treated. Excitement from the battle scenes and some decent, engaging development of Ethan and Merit’s relationship and their concerns over the prophecy that says Merit will become a parent. None of these are original and, yes, a lot of them are very predictable – but that didn’t make the characters any less engaging. These same patterns have been continuing for a long time in this season – but I still largely enjoy them. I like Merit, she’s fun, capable, not as bright as she’s written but still nifty without being overpowered. She also has some excellent female friends – which has been a major issue in the series before now: other women were demonised or occupied a relatively small role in the story. But increasingly we’re seeing Mallory move to become her own, skilled fun character who is taking a prominent space in the story and not constantly tormented by her own guilt which is an excellent step forward