Ametta is an interior designer in Alaska – but this werepolarbear has ambitions far beyond her state: she wants to head south, to the great cities and really build her business.
Her family does not approve
But when wereanimals are being hunted and killed and skinned any disagreements she has with them about their future need to be shelved while they focus on desperately surviving.
Werepolarbears! Werepolar-bears. Were-polar-bears? I don’t know exactly how to write but this is awesome and so rare
And female werepolarbears! This is even rarer - there are strict gender roles that tend to land on wereanimals. If you have a woman, she will usually be a wereleopard, weretiger, or some other kind of feline. Felines can be female. You may get a female werewolf – but she will usually be the only female werewolf ever to be something so unfeminine as several canine wereanimal! And a female werebear? Clutch your pearls and pass the smelling salts!
So I’m already praising this book for slaying this trope of acceptable feminine wereanimalness (feline, it’s always feline). We also have an interesting main character: she’s not exactly completely original: she’s wants more than her provincial life in Alaska, she wants to move to bigger cities and expand her business as an interior designer. She has ambition, she’s driven and she is willing to stand up and demand this. It’s an excellent example of a strong female character who is strong in ways beyond fighting.
And I really like the idea of a company that builds and decorates housing to suit wereanimals. I really like the world building that goes into the characteristics of wereanimals and why they need building adaptations – like changing the colours in decorating to take into account of depth perception and colour blindness of some wereanimals. I also like the difference of the wereanimals we see depicted – like a herd of werecattle.